泄密的心優秀讀後感想心得感悟

《泄密的心》是愛倫·坡的恐怖小説的代表作，作者注重剖析其中的人物心理，將殺人者的心理變化寫得絲絲入扣，將作案過程娓娓道來，但卻沒有表達作者的絲毫褒貶之意。下面是小編給大家整理的泄密的心讀後感，僅供參考。

我”和老頭住在一起，“我”很愛老頭，但是卻無法忍受老頭的眼睛，特別是那種目光，於是“我”便把老頭殺死、肢解，結果老頭的那顆心臟泄了密，“我”只好招供。這就是《泄密的心》(TheTell-TaleHeart,1843)的故事情節。情節簡單，但意藴卻深遠。人類雖然歷經千年萬年的時間，歷經千種萬種的形態，其內心潛藏在一切意識最深處的前意識，卻是大體相同的。這種前意識，按照榮格的觀點，不是個別的，而是普遍的，“具備了所有地方和所有個人皆有的大體相似的內容和行為方式”。以傳統的批評眼光看，我們只能概略地説這是愛倫·坡的又一部恐怖、驚險故事，有的把它歸為偵探類，實在過於勉強，因為它連偵探小説的基本要素都不具備。坡在小説中所着力描寫的諸種細節讀了確實令人不寒而慄，但讓讀者想得更多的`可能還是小説的標題“泄密的心”。這部小説對宿命、神祕特別是“心”和“眼”的描寫的確意味深長。

讀《泄密的心》，其中有兩處反覆出現的意象是無法忽略的，一處是激起“我”去謀殺老頭的原因：老頭的眼睛(eye，這個詞重複了十一次);一處是使我得到報復的原因，也就是老頭那不死的心(heart，這個詞重複了八次)跳聲。不管愛倫·坡是有意識還是無意識地描述，這些意象卻實在是意味深長並且觸目驚心。其實這篇小説的非常之處，就是心跳聲的不合常情。首先是老頭受到驚嚇時的心跳聲，二是老頭雖死卻心跳不止，原文在“那聲音”下還加了着重號，顯然作者在這裏有着特殊的用意。到了作為報復形象出現的心跳聲時，作品中充斥的幾乎就是這一意象了，光是“聲音”(sound)重複了八次，説“越來越大”(louder)就出現了十三次,説恐懼或聲音等加劇或增強(increase)就重複了七次。這些意象在段落中頑強地潛伏在一個緊逼一個的節奏中，形成了一種重壓。這些反覆出現的意象不能不使人拋棄文字的表層含意，而去追尋它的深層意藴：究竟是什麼使“眼睛”成為一種蠱惑呢?又是哪種力量使得報復來得如此迅速和必然?“我”無法承受的是什麼?其中有沒有迴盪着亙古不變的旋律?

關於“鷹眼”的描述確實應引起人的注意。鷹是猛禽，在飛鳥世界中它代表不可一世的力量。原型批評大師弗萊曾對之有如此描述：“動物世界以妖怪和猛獸等意象來描繪。……所有的統治者都和怪獸等同。”據此，我們有理由將鷹眼視為一種象徵：它代表了權勢。它的邪-惡或者它的強大的力量正是“我”愛它又天然地反對它的真正原因。這種心態是集體的、一般人類心理共有的。再回到故事內容得以展開的結構，“我”不滿於一種強權，想扼殺它，但卻最終得到了強權的報復。在原型批評理論中，這些貌似蔑視真理的現象卻是原型的最直接的表現。這時，《泄密的心》已經不再是一篇恐怖心理小説了。它所表達的是西西弗斯式人類生存的某種困境：世界充滿了違情悖理和徒勞無益。正是在對人類這種悲劇狀態的關注中，讀者獲得了對小説的普遍同情——對自身境地的潛意識認識被喚醒了。整篇小説裏兩個主要人物，“我”和老頭應該説是魔幻型意象中替罪羊和暴君的分別對等。“我”不是單純的受苦受難，暴君也不是完全地強悍有力。當然我們並不是要挖掘出人對命運的無可奈何而後悲天憫人，這也不是原型批評的最終目的，我們對作品進行原型批評，很明顯的一個作用是找出了作品的深層結構。在這種找尋中也容易地把握住了人類普遍存在的集體無意識，明確了心靈受到震撼的最初原因。可以説，《泄密的心》在一定程度上泄的是人類的集體經驗和深層無意識的大祕密。當然，這部作品能給我們很多啟示，我們可以從更多層面對其進行多方詮釋，這也是經典作品的真正價值所在。

Through the first person narrator, Edgar Allan Poe's "The Tell-Tale Heart" illustrates how man's imagination is capable of being so vivid that it profoundly affects people's lives. The manifestation of the narrator's imagination unconsciously plants seeds in his mind, and those seeds grow into an unmanageable situation for which there is no room for reason and which culminates in murder. The narrator takes care of an old man with whom the relationship is unclear, although the narrator's comment of "For his gold I had no desire" lends itself to the fact that the old man may be a family member whose death would monetarily benefit the narrator. Moreover, the narrator also intimates a caring relationship when he says, "I loved the old man. He had never wronged me. He had never given me insult". The narrator's obsession with the old man's eye culminates in his own undoing as he is engulfed with internal conflict and his own transformation from confidence to guilt.

The fixation on the old man's vulture-like eye forces the narrator to concoct a plan to eliminate the old man. The narrator confesses the sole reason for killing the old man is his eye: "Whenever it fell upon me, my blood ran cold; and so by degrees - very gradually - I made up my mind to rid myself of the eye for ever". The narrator begins his tale of betrayal by trying to convince the reader he is not insane, but the reader quickly surmises the narrator indeed is out of control. The fact that the old man's eye is the only motivation to murder proves the narrator is so mentally unstable that he must search for justification to kill. In his mind, he rationalizes murder with his own unreasonable fear of the eye.

The narrator wrestles with conflicting feelings of responsibility to the old man and feelings of ridding his life of the man's "Evil Eye". Although afflicted with overriding fear and derangement, the narrator still acts with quasi-allegiance toward the old man; however, his kindness may stem more from protecting himself from suspicion of watching the old man every night than from genuine compassion for the old man. The narrator shows his contrariety when he confesses he loves the old man, but he is still too overwhelmed by the pale blue eye to restrain himself from the all-consuming desire to eliminate the eye. His struggle is evident as he waits to kill the old man in his sleep so that he won't have to face the old man when he kills him; but on the other hand, the narrator can't justify the killing unless the vulture eye was open. The narrator is finally able to kill the man because "I saw it with perfect distinctness - all a dull blue, with a hideous veil over it that chilled the very marrow in my bones; but I could see nothing else of the old man's face or person: for I had directed the ray as if by instinct, precisely upon the damned spot".

The mission of the narrator begins with meticulous planning and confidence, but ultimately his guilty conscience creates his downfall. For seven days, the narrator watches the old man while he sleeps and he even "chuckled at the idea" that the old man knows nothing of the narrator's "secret deeds or thoughts". The narrator's comments show his confidence and audacity, even pride, in his plan to kill: "Never before that night had I felt the extent of my own powers - of my sagacity. I could scarcely contain my feelings of triumph". The narrator's assurance in his evil deed continued even when the police came to check on the old man and investigate the loud noises neighbors heard the night before: "I smiled,-for what had I to fear? I bade the gentlemen welcome". However, the narrator's mind is quickly consumed with guilt, which creates his delusion of hearing the old man's heartbeat taunting him from under the flooring. His paranoia makes the heart beat "louder - louder - louder!" and in his state of delirium he confesses to killing the old man in hopes of ridding his life of the menacing heartbeat: "I felt that I must scream or die! - and now .

The narrator sets out to rid his life of the fear he created by obsessing over the man's eye, but once that fear is destroyed, another fear - that of the heartbeat - is created and becomes more overwhelming than the first. In playing mind games with himself - seeing how far he can push himself to triumph over his own insanity - the narrator slips further into a fantasy world. His overriding confidence in killing the man ultimately turns into overriding guilt even as he justifies in his mind the savage killing, chopping up the body and placing it under the floorboards. The narrator's imagination creates his need and plan to destroy the eye, but it then creates the need to save himself from the heartbeat that drives him over the edge.

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